6 edition of Piracy, Slavery, and Redemption found in the catalog.
Published
November 15, 2001
by Columbia University Press
.
Written in English
Edition Notes
Contributions | Nabil Matar (Foreword), Daniel Vitkus (Editor) |
The Physical Object | |
---|---|
Format | Paperback |
Number of Pages | 416 |
ID Numbers | |
Open Library | OL9391891M |
ISBN 10 | 0231119054 |
ISBN 10 | 9780231119054 |
Piracy, Slavery, and Redemption is a fascinating collection of documents from a grim epi sode in human history. As is often the case in inhumane situations, humanity survives and even thrives. Muslim captors frequently proved to be benevolent. Captives refused to give up on their freedom or their origins and religion. They aided and comforted. The Captive Sea Slavery, Communication, and Commerce in Early Modern Spain and the Mediterranean Daniel Hershenzon. pages | 6 x 9 | 1 illus. Cloth | ISBN | $s | Outside the Americas £ Ebook editions are available from selected online vendors View table of contents and excerpt. Winner of the University of Connecticut Humanities Institute's Sharon Harris Book .
Piracy, slavery, and redemption: Barbary captivity narratives from early modern England by Daniel J. Vitkus, ed. Call Number: HTP57 ISBN: Author: Erin Smith. The Captive Sea explores the entangled histories of Muslim and Christian captives—and, by extension, of the Spanish Empire, Ottoman Algiers, and Morocco—in the seventeenth-century to argue that piracy, captivity, and redemption helped shape the Mediterranean as an integrated region at the social, political, and economic levels.
In his book Christian Slaves, Muslim Masters: White Slavery in the Mediterranean, the Barbary Coast and Italy, –, Ohio State University history professor Robert Davis states that most modern historians minimize the white slave estimates that slave traders from Tunis, Algiers, and Tripoli alone enslaved 1 million to million Europeans in North . Turning Turk looks at contact between the English and other cultures in the early modern Mediterranean, and analyzes the representation of that experience on the London stage. Vitkus's book demonstrates that the English encounter with exotic alterity, and the theatrical representations inspired by that encounter, helped to form the emergent identity of an English Missing: redemption book.
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"Piracy, Slavery, and Redemption" edited by Daniel Vitkus. This is a collection of 7 `booklets' written by English sailors or merchants who had been captured by various Arab/Moor pirates between - and sold into slavery in northern Africa (Algiers).
Later, these Englishmen either were ransomed or escaped. Why these stories?/5(4). Piracy, slavery, captivity, and redemption were compelling subjects in the sixteenth and seventeenth century; Daniel J.
Vitkus and Nabil Matar have, in this well-edited volume of early English images of the Islamic world, made them equally fascinating to twenty-first-century academic and lay readers.
Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England. These narratives recount the harrowing experiences of Englishmen abducted by the Barbary pirates of North Africa.
After being sold into slavery, the narrators succeeded in returning to their homeland where their stories were printed/5(17). Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England. These narratives recount the harrowing experiences of Englishmen abducted by the Barbary pirates of North Africa.
After being sold into slavery, the narrators succeeded in returning to their homeland where their stories were printed/5(3). Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England. These narratives recount the harrowing experiences of Englishmen abducted by the Barbary pirates of North Africa.
After being sold into slavery, the narrators succeeded in returning to their homeland where their stories were printed. Piracy, slavery, captivity, and redemption were compelling subjects in the sixteenth and seventeenth century; Daniel J. Vitkus and Nabil Matar have, in this well-edited volume of early English images of the Islamic world, made them equally fascinating to twenty-first-century academic and lay readers Price: $ Read this book on Questia.
Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England, | Online Research Library: Questia Read the full-text online edition of Piracy, Slavery, and Redemption: Barbary Captivity Narratives from.
Piracy, slavery, captivity, and redemption were compelling subjects in the sixteenth and seventeenth century; Daniel J. Vitkus and Nabil Matar have, in this well-edited volume of early English images of the Islamic world, made them equally fascinating to twenty-first-century academic and lay readers.
Piracy, slavery, and redemption: Barbary captivity narratives from early modern England Responsibility selected and edited by Daniel J. Vitkus ; introduced by Nabil Matar.
Piracy, Slavery, and Redemption makes available to scholars and students seven complete annotated narratives of early modern Englishmen who were "delivered" from captivity and enslavement under North African Muslims. 34 rows Piracy, slavery, and redemption: Barbary captivity narratives from early modern.
Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England Article in Albion A Quarterly Journal Concerned with British Studies 35(1). Piracy, Slavery and Redemption: Barbary Captivity Narratives from Early Modern England by D.
Vikus (Columbia University Press, ) The Stolen Village: Baltimore and the Barbary Pirates by Des Ekin ISBN ; Skeletons on the Zahara: A True Story of Survival by Dean King, ISBN ; Oren, Michael. Piracy, Slavery, and Redemption (Paperback) Barbary Captivity Narratives from Early Modern England.
By Daniel Vitkus (Editor), Nabil Matar (Introduction by) Columbia University Press,pp. Publication Date: Octo Other Editions of This Title: Hardcover (10/17/). Buy Piracy, Slavery, and Redemption by Daniel Vitkus, Nabil Matar from Waterstones today. Click and Collect from your local Waterstones or get FREE UK delivery on orders over £Pages: Book Description.
Piracy and Captivity in the Mediterranean explores the early modern genre of European Barbary Coast captivity narratives from the sixteenth to the nineteenth century. During this period, the Mediterranean Sea was the setting of large-scale corsairing that resulted in the capture or enslavement of Europeans and Americans by North African pirates, as well as of.
Piracy, slavery, and redemption: Barbary captivity narratives from early modern England / selected and edited by Daniel J. Vitkus ; introduced by. "Piracy, Slavery, and Redemption" edited by Daniel Vitkus. This is a collection of 7 `booklets' written by English sailors or merchants who had been captured by various Arab/Moor pirates between - and sold into slavery in northern Africa (Algiers).
Later, these Englishmen either were ransomed or escaped. Why these stories?/5. Piracy, slavery, captivity, and redemption were compelling subjects in the sixteenth and seventeenth century; Daniel J. Vitkus and Nabil Matar have, in this well-edited volume of early English images [This] books does a fine job of making primary source material available to, and readable by, a wide audience.
Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England. Columbia University Press, [Includes the accounts of John Fox (), Richard Hasleton (), John Rawlins (), Joseph Pitts ().
Daniel Vitkus, Piracy, Slavery, and Redemption Robert Allison, The Crescent Obscured Frank Lambert, The Barbary Wars Lisa Voigt, Writing Captivity in the Early Modern Atlantic ASSIGNMENT: Search Newspapers for Slaves in Algiers Final Papers Due Twelve to.
Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England, Daniel J. Vitkus; Columbia University Press, The Structure of Slavery in Indian Ocean Africa and Asia.Piracy, Slavery, and Redemption: Barbary Captivity Narratives from Early Modern England By Daniel J.
Vitkus Columbia University Press, Read preview Overview Search for more books and articles on captivity narratives.